SJW out of control, destroying YA Fiction

This article is very upsetting. Apparently, YA books can no longer have any “wrong” ideas in them…even if it is clear that the main character is in the process of growing out of those ideas:

(Also, this is about the same author, whose book, WANDFASTED, has already been mentioned elsewhere on this website. I read Wandfasted, the racism in it is meant to show that such behavior is bad.)

The Toxic Drama on YA Twitter

Young-adult books are being targeted in intense social-media callouts, draggings, and pile-ons — sometimes before anybody’s even read them.

By 

The Black Witch, a debut young-adult fantasy novel by Laurie Forest, was still seven weeks from its May 1 publication date, but positive buzz was already building, with early reviews calling it “an intoxicating tale of rebellion and star-crossed romance,” “a massive page-turner that leaves readers longing for more,” and “an uncompromising condemnation of prejudice and injustice.”

The hype train was derailed in mid-March, however, by Shauna Sinyard, a bookstore employee and blogger who writes primarily about YA and had a different take: “The Black Witch is the most dangerous, offensive book I have ever read,” she wrote in a nearly 9,000-word review that blasted the novel as an end-to-end mess of unadulterated bigotry. “It was ultimately written for white people. It was written for the type of white person who considers themselves to be not-racist and thinks that they deserve recognition and praise for treating POC like they are actually human.”

The Black Witch centers on a girl named Elloren who has been raised in a stratified society where other races (including selkies, fae, wolfmen, etc.) are considered inferior at best and enemies at worst. But when she goes off to college, she begins to question her beliefs, an ideological transformation she’s still working on when she joins with the rebellion in the last of the novel’s 600 pages. (It’s the first of a series; one hopes that Elloren will be more woke in book two.)

It was this premise that led Sinyard to slam The Black Witch as “racist, ableist, homophobic, and … written with no marginalized people in mind,” in a review that consisted largely of pull quotes featuring the book’s racist characters saying or doing racist things. Here’s a representative excerpt, an offending sentence juxtaposed with Sinyard’s commentary:

“pg. 163. The Kelts are not a pure race like us. They’re more accepting of intermarriage, and because of this, they’re hopelessly mixed.”

 

Yes, you just read that with your own two eyes. This is one of the times my jaw dropped in horror and I had to walk away from this book.

It gets worse. Read more…

Or, view The Black Witch

George Takei’s Racism Is Good for Science Fiction

George Takei, the actor who played the original Sulu in Star Trek, has some enviable qualities. Takei is likable, he has a gift for social media, and he possesses a wonderfully deep voice. However, he is not the smartest person in the world. This was recently confirmed, when Takei used an obviously racist slur to lambast a senior judge. Takei followed-up by arguing it was not racist to refer to the judge as a ‘clown in blackface’. A wiser man would have hastily admitted his faults, and apologized. Takei has now apologized, though the apology is so indirect and self-regarding that it only makes Takei seem even more conceited. But we should thank Takei for his flaws. Takei’s fame depends on his role in science fiction culture. Some treat science fiction like the path to enlightenment pursued by a misty-eyed seer, able to diagnose the illnesses of the present and chart the course to a utopian future. Takei has reminded us that SF culture also includes its fair share of stupid buggers.

Takei’s comical brouhaha began when he was asked, on a news channel, what he thought of the judgement of US Supreme Court Justice Clarence Thomas in the case of Obergefell v. Hodges. The court determined that same-sex marriage is a fundamental right following a 5-4 vote of the judges, but Thomas was in the dissenting minority. Perhaps we should stop and reflect at this point. Takei, a man who is famous because he pushed pretend buttons on a 1960’s television show, was asked to review the legal opinion of one of the top judges in the USA, as given in a tricky case of historical significance. Maybe the USA’s legal system is imperfect, but I struggle to understand how a more utopian future will be realized by asking aging actors for their opinion on everything. Undaunted, Takei held forth. In particular, Takei objected to Thomas’ legal opinion on the grounds of too much ‘blackface’.

In a way, Takei was right about one thing, because Thomas does have a black face, or rather a dark brown face which people in some societies describe as ‘black’, as compared to paler skins. Thomas is the only Supreme Court judge who is black. But the intelligent amongst us know that judges should be chosen because of their skill at reaching a judgement, not because of their color. So, by any normal understanding of racism, Takei was being racist.

Realizing that he had committed a terrible faux pas, which would alienate him from many right-thinking, word-policing fans, Takei needed to excuse himself. He did this by pointing out that ‘blackface’ describes how actors applied make-up in order to play characters with different racial characteristics to their own. By that logic, highlighting how a black judge has a black face is not racist, because only a white judge could put on a real blackface.

I find Takei’s logic to be desperately contrived. It is certainly not of a calibre I would want from somebody who reviews the decisions of top judges. Instead of just leaving his insult with the assertion that Thomas is black – an accurate if irrelevant statement – Takei reinvented it as a much more racist slur than we first imagined. Thomas is black. But Takei tells us he meant to compare Thomas to a white man who is pretending to be black. It was one thing to needlessly refer to Thomas’ race, but it is something else to imply Thomas is a traitor to his race. And hence, we progressively learn that Takei’s deep voice is not evidence of deep thought.

There is no point bashing Takei. He is not smart enough to be worth it. He said something stupid and offensive in the heat of the moment. Then he slowly and carefully considered how to backtrack without losing face, and so wrote something even more stupid and offensive. When William Shatner came to Takei’s defence, I think he was being sincere.

My guess is that Takei is not a racist, in a malign or systematic way. His racism was of the easy, casual, everyday variety. Thomas wrote an opinion that came to a conclusion that Takei did not like, so instead of addressing Thomas’ argument, Takei started talking about the color of Thomas’ skin. Many people are prone to such irregular leaps in their thinking. They feel a logical argument has reached the wrong conclusion, but being unable to express what was wrong with the argument, they attack the individual instead. That was what Takei did. We should thank him for doing this, because it shows that policing thought will never succeed, because some people are not thoughtful enough to be worth policing.

Takei’s argument was especially misjudged because Thomas’ argument had a certain beauty to it. These are the words that Thomas wrote, and which prompted Takei’s diva meltdown.

Human dignity has long been understood in this country to be innate. When the Framers proclaimed in the Declaration of Independence that “all men are created equal” and “endowed by their Creator with certain unalienable Rights,” they referred to a vision of mankind in which all humans are created in the image of God and therefore of inherent worth. That vision is the foundation upon which this Nation was built.

The corollary of that principle is that human dignity cannot be taken away by the government. Slaves did not lose their dignity (any more than they lost their humanity) because the government allowed them to be enslaved. Those held in internment camps did not lose their dignity because the government confined them. And those denied governmental benefits certainly do not lose their dignity because the government denies them those benefits. The government cannot bestow dignity, and it cannot take it away.

You do not have to agree with Thomas’ conclusion to see that he presents an elegant and attractive argument. If a slave suffered the worst indignities, but still felt they were dignified in themselves, or that they were dignified in the eyes of God, then who should argue the slave was wrong to think that way?

Takei vehemently rejected Thomas’ point of view. As a result, he reveals the narrowness of his own thinking.

To deny a group the rights and privileges of others is to strip them of human dignity…

Takei’s thinking is narrow because it has not occurred to him that some believe human beings have immortal souls. It is not necessary to agree that humans have souls, to understand what a difference this would make to a person’s outlook. A slave has no less spirituality than any other person, and the role of the spiritual in your life will profoundly influence your understanding of a concept like dignity.

Thomas’ argument follows tracks laid down by ancient thinkers. This is not surprising: those same thinkers also influenced the original writers of the US constitution. Socrates believed we have souls, and that the soul could not be harmed by the actions of others. The only way an individual can damage a soul is by doing harm to themselves. Boethius, in The Consolation of Philosophy, concludes that the suffering caused by his own unjust imprisonment is of no importance, because the gifts of fortune are unreliable. Temporal assets, like health, wealth, or power, can be taken away, so soul and the intellect must be the route to true happiness. In the Bible, the character of Job comes to a similar understanding. After he is beset by disasters, Job better appreciates God’s design:

My ears had heard of you, but now my eyes have seen you.

On the other hand, if you think that humans are purely physical beings, then it is easier to sympathize with Takei’s point of view. If humans do not have a soul, then there is nothing more important than their day-to-day treatment and comfort. If dignity has no spiritual aspect, it can only be understood in terms of the material and the legal.

Some may point out that Takei is a Buddhist. I am not a Buddhist, but I am forced to wonder if Takei’s understanding of Buddhism is as malformed as his views on race, and his grasp of law. Buddhists are conscious of the role of suffering in this world, and how personal enlightenment is the only escape from that suffering. Whilst Thomas was clearly following a Christian tradition, his view of the inviolability of human dignity is easier to reconcile with Buddhism than Takei’s argument that dignity depends on law.

Whether right, wrong, or confused, Takei is entitled to his opinions. As nobody has scientifically proven the existence of souls, Takei’s position has some merit. Maybe there is nothing more important than governments, and laws, and how they work in practice. But Takei was wrong to describe Thomas as a ‘clown’. A more thoughtful person would have understood that their difference of opinion is founded on a genuine and sincere disagreement about the nature of this universe. It is conceited to deride others for their spiritual beliefs. And Takei made a fool of himself by questioning Thomas’ competence as a judge.

Why am I analyzing this minor episode in such depth? Because there are so many parallels to debates that consume science fiction ‘fandom’. Small, petty, and unimaginative people like George Takei can sincerely believe they are as wise as Solomon. Idiots can be popular and successful. They can gather many followers. Chanting the tropes that define them, a community’s repeated confirmation of its own bias will lead its weaker members to conclude they are much wiser than they really are. Four legs good, two legs bad. The needs of the many outweigh the needs of the few, or the one. With great power comes great responsibility. Pop fiction can deliver the same lines as great philosophy, but that does not make Stan Lee the equal of Voltaire. At the same time, audiences can behave like a mirror. When they perceive depth in others, they may only be witnessing their own superficiality.

There will always be some who mindlessly repeat slogans and mottos, whilst castigating, alienating, and demonizing anyone with a different outlook. Science fiction is not immune to this disease. When warriors like Takei start calling people names, they will insist this is forgivable, natural, and even desirable. That was why Takei felt entitled to lose his temper and racially abuse an intelligent and successful African-American, then deploy indignation and misdirection to retain an ill-deserved sense of moral superiority.

George Takei is convinced he is morally good. Takei’s belief in himself allowed him to do something morally wrong, and then to excuse his behavior afterwards. He is not the only person to suffer this combination of failings.

Because science fiction deals with the future, and alternative possibilities, it will encourage some people to believe they are smarter than they really are. They think that by consuming science fiction, they have a better understanding of the world than others. They are mistaken. Science fiction is a form of entertainment. It is not a division of science or philosophy. The best science fiction may complement science and philosophy, but the relationship is not infallible. It is easy to remember how Clarke contributed to the development of artificial satellites. It is even easier to forget that Asimov thought positronics would be commonplace long before medicine learned the secret of artificial insemination. And yet, the world has witnessed many more test tube babies than walking, talking robots.

Even good science fiction will often have a wayward understanding of how the universe works, or of the nature of human beings. The worst science fiction will fall much shorter. And because tastes vary, some will prefer the worst to the best. Fans with poor taste are still fans, but we should be wary of their pomposity. They should always be discouraged from believing they define taste, no matter how many of them believe it. Defining taste is a way to control people by bullying them, little different to arguing that the color of a judge’s skin should influence his decisions.

I hope that George Takei’s embarrassment will remind others to be more humble, and more respectful of genuine differences of opinion, and taste. Better still, it may discourage some of the lazy knee-jerk name-calling which dominate the outpourings of people who, like George Takei, consider themselves to be social justice activists. It is easy to use words like ‘racist’ to unfairly smear others. Takei’s racist outburst, which deserves to be described that way, begs the question of how honestly and consistently such pejorative epithets are used.

I have hope… but I am not wildly optimistic. As Bertrand Russell pointed out:

The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.

The community of science fiction fans probably has the same proportion of fools and fanatics as the general population. We might fear that science fiction attracts even more than its fair share; fools and fanatics like stories that confirm their point of view, especially if the real world stubbornly refuses to yield to their fantasies. The answer is not to respond to fanaticism with equal and opposing extremism. Such tactics only encourage the true fanatics. It is better to wait for them to embarrass themselves. We can then politely identify the failings of the fanatics, whilst expressing our faith in the even-handed skepticism of the majority of the audience.

I just can’t tell anymore

I saw a post on facebook today suggesting that an MSNBC host was claiming that the African American cops in Baltimore that contributed to the death of Freddie Gray were really White African Americans and I just rolled my eyes and assumed it was just an MSNBC host being a frothing looney. The thing is, it was an attempt at satire. After George Zimmerman the “white hispanic”, which is roughly as crazy a “white african american” and “the vagina monologues are transphobic and should be canceled”, which is significantly crazier, I just can’t tell anymore.

With that in mind, please enjoy Bizarre Things SJWs Say by Sargon of Akkad

Harpies harrass Whedon off Twitter

joss_whedon_hero

It seems that feminists harassing Joss Whedon have chased him off twitter. They where having the usual sort of complaining, in this case about how bad the new Avengers film is and how Joss dared to put Black Widow in a vulnerable position and in need of rescue. Apparently this is a no no according to them.

The amusing part of the whole thing is that Joss Whedon is one of them, he is a feminist, hates #GamerGate and Sad Puppies and is generally a far lefty SJW type. It will be interesting to see how he reacts to being savaged by the feminists on his own side for being insufficently ideologically pure and daring to put good story telling above feminist ideology. Hopefully Joss will come to his senses, realize he is on the wrong side and ignore these unpleasable lunatics who will never be satisfied no matter what he does because he commits the ultimate unpardonable sin of being white and male.

You can catch the whole story at Ricochet

Joss Whedon is the screenwriter and director responsible for both Avengers blockbusters as well as television favorites “Firefly” and “Buffy the Vampire Slayer.” Unsurprisingly, Whedon is also an outspoken leftist who uses his Twitter feed to mock and ridicule conservatives. He thinks politicians who deny climate change should be denied penicillin, believes men should be denied the vote on “reproductive health,” and despises Justice Clarence Thomas and organized religion.

He certainly hates all the right people — so why are progressives mad at him? It seems one of his strong female characters isn’t quite strong enough for radical, third-wave feminists.

Read the rest

Where does the SJW’s ideology come from?

SJW-Magic

Where does the peculiar madness that grips the modern SJW come from? Reaxxion has an interesting post up, Where The Ideology Of Fanatical Social Justice Warriors Comes From that examines the question.

With everything that has happened so far in GamerGate and other social controversies, the field of sociology has been getting more credit for creating social justice warriors and their fanaticism. But what exactly in the sociology field has created this kind of mindset? How can we better understand how and why they are what they are? The following is a quick and dirty primer that will attempt to explain the nuances of how social justice warriors are created and why they are so fanatical.

The Basics

Simply put, sociology is the study of society, and how it works and interacts with everything around it. There are a lot of different lens people try to see their work through but there are two main ones that will be talked about here today. The first is “positivist sociology, the study of society based on systematic observation of social behavior.” (Macionis 31) The sociologists who follow this brand generally take a hands-off, observational and mathematical approach. They observe the situation and ask questions of participants only for understanding. They do not try to influence the situation in any way, only try to understand it and report it. Think of them like the play-by-play commentary crew at a sports game on TV.

SJWs,sadly, always seem to be looking at the world as the glass half empty. The above doesn’t sound very radical or out of the ordinary compared to other sciences, natural and social, which do the same thing. The radical elements come from the social-conflict theory branch of sociology called critical sociology, which is “the study of society that focuses on the need for social change”. (Macionis 36)

SCT, for short, believes that societies are created through social conflicts between the haves and have nots, and is based off of Marxist teachings. The winner of Group A vs. Group B creates Society X. To the victor go the spoils. SCT has also been called activist sociology because it actively attempts to change society towards whatever the researcher deems is better, or worse, based on their political and social belief structure, and ignores objectivity and being unbiased. (Macionis 37)

Again, this is the quick and dirty version of something that someone would study minimally for four years at a university to get a degree in. Still, with this basic amount of information we can understand the social justice warrior mindset, and the term warrior is apt considering this approach. They see, for whatever their reason, a culture as being monopolized by a group in power. To make that culture ‘better’, they seek out to take from the rich and give to the poor by overthrowing the dominant power structure and install a new one that is supposedly more equal and fair to all through their political and/or social beliefs.

But Robin Hood they are not, as some of these targeted cultures are not as inherently bad as SCT needs to believe them to be. SCT is like a snake that eats its own tail. It cannot tell friend from foe, and simply attacks. It can never truly win because the theory itself believes there will always be inequality in society. To accept it has won would mean it would have to cease to exist. This is a reason why no one can win against social justice ideologues on social media, and why we see all the imgur images of their hypocrisy.

Read the rest

Can you tell Stormfront from SJW’s?

Sargon of Akkad has a very funny video up called “Stormfront or Social Justice?” and has since done a follow up called Anita Sarkeesian or Jack Thompson that follows up with a similar idea.

Can you tell the difference between the speech of the SJW and the white supremacist Stormfront crowd? If you have been following the SJW’s for a while then you wont be surprised to discover they are often difficult to tell apart.

Related to this I also found the SJWiki that explains all their different terms. I don’t think it is satire but ever since the Vagina Monologues got canceled because of transphobia i’ve given up trying to tell and just assume it is true no matter how crazy.