Pius Politics

I mentioned politics in the last post, and I meant to really get on that a little more, but I sort of drifted away from politics and into my general temperament, which impacts my politics, but doesn’t spell out what the bleep they are, or how they show up in my novel, A Pius Man — which centers around Pope Pius XII as a MacGuffin.
As I said before, I lean libertarian-right. More laws just means that the government can screw you over in more and more various and sundry ways, so I’m wary on laws for the “common good.” I won’t say kill all the lawyers, but I think tort reform can do that easily enough. Unfortunately, like most people, I’m a bit schizophrenic. I dislike the premise of feeding Moloch, but there are certain people I really want to remove themselves from the gene pool. I’m a New Yorker who thinks everyone should own a handgun, a rifle and a shotgun. I think drugs a really, really bad idea, but hey, legalize them — the more people who get high, the more Darwin awards we can hand out…. except for PCP, not even drug dealers will sell that crap anymore, as a general rule.
Like libertarians, there are a lot of things I don’t personally believe in, and wouldn’t recommend, but I’m leaving the fate of your own soul between you and God. Enjoy.
I generally despise politics with the burning passion of a thousand suns. The government should leave me alone unless I need actual aid — like someone has broken into my house and I’ve run out of bullets.
So, of course, since I truly loathe politics, A Pius Man happens to be the most politically charged book I’ve ever written. With the overall topic of Pius XII, I do take a side. I believe my conclusions are obvious based on my research. For those of you who have read The Irrational Atheist, you probably have an idea about that punchline.
However, the political portions of the book are discussions, not rants. And the politics are driven more by the characters than by me.

For example…

Sean A.P. Ryan. Mercenary. Believes in the free market system, heavy weaponry, and grew up in Hollywood: therefore he has lived his entire life swimming out of a Leftist cesspool, and dove into the chlorinated waters of libertarianism. When queried on his political affiliations, he would say, “I believe people should be able to own marijuana and machine guns. I will laugh at the marijuana crowd, but if I have my guns, I’m happy.”

Scott Murphy. He’s a spy who huts down terrorists for a living. His politics: “I believe in the power of waterboarding. But I’d sooner talk terrorists to death. It’s more painful in the long run. When you can talk them into revealing everything they know, kill them, move up the chain of command. Repeat until they’re willing to be peaceful, or they are peacefully dead.” He’s an accountant by training, so his first thought is how to steal terrorist money.

Giovanni Figlia. Cop. His father was blown up by a Red Army faction in the 1980s, so he has a grudge against extreme, gun-toting Leftists. Aside from that, his politics are: “I have to protect the most powerful religious leader on the planet, and he insists on pissing off nearly one-third of the world’s population. Leave me alone and let me do my job.”

Pope Pius XIII (Born: Joshua Kutjok): Hard right-wing. Has all but declared war on the Sudan. Thoroughly dislikes tyrannies, which means North Korea and China dislike him right back. “I am against abortion, gays being married in my church, and contraceptives are against the religion. Then again, you should only have sex with the person you marry, so abortion and contraceptives shouldn’t be needed. However, my homeland of Sudan is going through thirty years of religious and ethnic warfare, I have better things to do than deal with whining hedonists!”

Father Francis Williams, S.J.: “I’m a Jesuit transfering into the Opus Dei. I speak six languages and I can kill people with my rosary beads … what was your question?”

Maureen McGrail. Interpol. “I’m too busy being shot at to have a political opinion. Leave me alone.”

Secret Service Agent Wilhelmina Goldberg: As a special adviser to anyone who wants the Secret Service to audit their security, she has been all over, and her political opinion is simple. “At the end of the day, America looks good by comparison.”

The above characters have more influence over how the political discussions go than I do. So, the topics will be… interesting.

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Alt-Pius Politics

I actually did this post once, long ago, when dinosaurs walked the Earth and I thought there was some semblance of sanity kicking around in politics, and would be back in popular fashion after Obama left office.

Nope. Sorry. Obviously, that didn’t happen. Recently, we had the meltdown of “China Mike” Glyer and File 770 after Larry Correia took him to the woodshed. We had a Bernie Sanders psycho shoot up some Republican politicians at a ball game, and democrats trying to simultaneously 1) Disavow all responsibility for it 2) Blame Trump, 3) Try to blame guns for the shooting and 4) Laugh at shooting Republicans. All in the same week.So, no, to quote Chico Marx, “everybody knows that there is a no sanity clause” … especially in politics.

Myself? Most days, I’m somewhere between small-l libertarian or conservative. Most of the time, my politics boil down to “leave me alone, and no one gets hurts.”

But I’m not really Alt-right. I’m certainly not control Left. There are days I’m almost Ctrl+A, Del. Because, good God, “kill ’em all and let God sort them out” really does sound like an action plan.
But no, I’m not a nihilist. I’m at once too Catholic and not energetic enough. Though the world continues to show me just how justified I am in my borderline misanthropic tendencies. I mean, let’s face it, the standard response to a terrorist response should be a calm, reasoned investigation, finding the people behind it — the planners, the money men, etc — and kill every last one of them in horrific ways that will make anyone who has similar ideas think three or four times about doing the same thing ever again. Heck, if I were in charge after 9-11 … well, I’m relatively certain that I wouldn’t be as calm and as collected as Tom Kratman’s response in A Desert Called Peace. And that series includes torturing journalists to death for supporting terrorists, and mining the perimeter of a city, starving them out, including the women and children.
As I’ve said elsewhere, my overwhelming sin is wrath.
But this is why I don’t write anything like that. I’m depressed enough by this insanity we call reality on a daily basis, I don’t necessarily need it in my day to day life. I’m already depressive. So I don’t write nihilistic crap, I don’t read it, and I’m easily annoyed with people who see nihilism as some sort of superior art form. I’m also Catholic, nihilism isn’t our beat.
Oddly enough, I’m probably more of a romantic than anything else. Pick … almost any of my books, sooner or later, you’ll probably trip over a Thermopylae situation of 100-1 odds, love conquering all, and righteous fury is a positive tool for going just that little bit farther as you’re being beaten to death by a 2×4.
…Hell, forget book series, you could say that summarizes several plot points in A Pius Man alone.
I guess I’m just an idealist who hates that the world wouldn’t live up to the standard of. … anything.

But, yeah. My politics don’t lend itself to nihilism, though there are days that I think “genocide” is a viable military option. Thankfully, no one ever listens to me.

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The Iconic Hero and the Superversive

I make no bones about the fact that I prefer Sean Connery when I’m talking about James Bond movies. It’s not merely that his take on the character is consistently entertaining, but that it’s consistent period from film to film. This is a man who knows who and what he is, does not apologize for it, and has no issues with what he does; he lives for the mission, and believes in the mission. It’s nothing like Danial Craig’s Bond at all. Robin D.
Laws identifies this as “The Iconic Hero”, and explained in this 2012 post why this is a valid characterization choice:

While a dramatic hero follows a character arc in which he is changed by his experience of the world (examples: Orpheus, King Lear, Ben Braddock), an iconic hero undertakes tasks (often serially) and changes the world, restoring order to it, by remaining true to his essential self.

Prevailing creative writing wisdom favors the changeable dramatic character over his serially unchanging iconic counterpart, but examples of the latter remain enduring tentpoles of popular culture. It’s the clear, simple, elemental iconic heroes who keep getting reinvented every generation. Each such classic character spoke to the era of its invention, while also evoking an eternal quality granting it a continuing resonance. We are going to create a new set of heroes who speak to the contemporary world while evoking the inescapable power of the iconic model.

An iconic hero re-imposes order on the world by reasserting his essential selfhood. The nature of his radical individuality can be summed up with a statement of his iconic ethos. It is the ethos that grants higher meaning to the hero’s actions, and a clue to his creator’s intentions. An iconic hero’s ethos motivates and empowers him.

The first paragraph in particular is the mission of a Superversive hero: to restore order to the world. What he does is how he makes that happen, that assertion Laws speaks of, is where the variation lies. In the quoted post, Laws goes over several iconic characters and shows how you can summarize their stories in a sentence by identifying their ethos and how they assert it to restore order to their world time and again. What he doesn’t identify, but nonetheless shows, is that this summary also serves as the basis for every story outline you’ll need in writing stories about those characters that are true and faithful additions to their literary corpus that the readers will accept.

There’s something else that this post, and the concept in it, reveals: how the Enemy subverts the culture. They do resort to making Iconic Heroes into Dynamic Characters, putting them through “arcs” that denigrate their ethos and thereby degrade the characters into agents of subversion to further the Enemy’s agenda. (One need only look at what goes on at Marvel and D.C. Comics to see this in action.)

While stories that have characters changed by the experiences of the narrative are necessary and valuable, this is not a universal requirement. Just look at what’s been done with the Arthurian Mythos to see (a) that it’s not necessary and (b) it’s often done to subvert, degrade, and destroy a targeted culture- and therefore, not to be trusted anymore.

Consider an Iconic Hero when you’re next sitting down to create something, especially if you’re looking to do so as part of a series–writing, gaming, etc.–because you may find it better suited to your objectives than you might think.

SFWA, or STFU? WTF?

It’s not a new concept that the wonderful world of writers, like every other organization, has fights. And back stabbing, back biting, and other backwards thoughts, ideas and concepts. Then there’s the SFWA, the Science Fiction Writers of America.  If you haven’t been brought in on this round of inside baseball, the SFWA has started appealing to one small, particular demographic, namely the psychotic political left. You know the ones I’m talking about, because there are no leftist moderates anymore — just turn on the news, and watch for five minutes before the next riot happens. In story form, one story that meets these standards includes a world where the universe is filled with subservient men, the women rule everything, and there is peace throughout the world … a story that has every woman I’ve told it to laughing themselves sick.

Apparently, it is easier for a camel to pass through the eye of a needle than for good fiction to meet SFWA standards.

This is a bit of business that has some old-school (and new) SF writers pissed. Names include Harlan Ellison and Harry Turtledove, among other.  And Harlan is no conservative. The chronicles of the SFWA’s downward spiral does make you wonder exactly how far down this rabbit hole goes.  Though I’m not brave enough to go spelunking into that particular asylum.

However, I noted something in the above articles, that the SFWA got pissed off over “a book with women in chainmail on the cover.”  Well, one, if it’s fantasy, what else are women going to wear? It’s either chainmail, leather armor, or platemail (the latter heavy enough to tip someone over like a turtle on their back, so I don’t recommend it for anyone).

Then, something occurred to me.  Could this hissy fit have been over Chicks in Chainmail? For those of you who don’t know this classic comedy series, it’s laugh out loud funny stories in fantasy universes, like the Suburban fantasy anthology Witch Way to the Mall, Strip Mauled, and Fangs for the Mammaries.

The two series have something in common.  Two somethings, in fact.

1) They’re all edited by Esther Friesner.

2) They’re published by Baen books…Sound familiar?

Does anyone else have a bad feeling about this?

And if you don’t want to go by the version in gifs, the pure text version of what’s been happening is even LESS reassuring.

Now, there are a few problems with everything the SFWA has been pulling.  Using feminism as authority structure creates pedantic drivel in favor of a false narrative of multiculturalism (ie: we’re going to shove this down your throat, and you will like it, because. Just because). They want writers to effectively write stories about “womyn,” gays, transgenders, african-Americans, native Americans, gays, Asian peoples they have no idea about “but hey taoism sounds cool and namaste, yo.”

You can view this a few ways.  The rabbit hole, making a “women only” race course, putting a Stalin-ish leash on their editors to make certain they’re publishing the “right” things, or redefining “literature” as whatever supports the current tint.  No matter what you call it, it’s not good for writing, storytelling, or the genre. If you wanted to say they’re trying to destroy the genre, well, you wouldn’t be the first.

Though you can also see it as people like Baen and Castalia house are busy taking over the universe of science fiction, and we just can’t have that. Castalia House, after all, has the eeevvviiillll Vox Day …. who SFWA kicked out of their little clubhouse for being politically incorrect. And publishes John C Wright — Catholics aren’t good for business, I’m sure. (Says the snarky Catholic)

Baen, for those of you who might not know, is filled with interesting people.  Many of them are conservative, but also Libertarian, and at least one card-carrying Communist, Eric Flint (he pulled out his card at a DragonCon one year).  Unfair, but balanced might be a way to put it.  Each person will bring their own politics and philosophies to bear in their own novels, but usually not in a way that would piss me off. I’ve read Flint, and he’s quite interesting. They also have John Ringo, David Weber, and Timothy Zahn, who are conservative-ish, if not outright conservatives.  And then there’s Tom Kratman.

These two are making TONS of money.  Metric tons. They are everywhere, and always publishing.

So, a libertarian press making money? And making money with something like Chicks in Chain Mail?

If Jason is right, then this SFWA brough-ha-ha is really a purge in response to Baen.  After all, with nimrods this ideologically pure, Baen is downright heretical.  So we have the “conservative” juggernaut of Baen versus an ever-more left-leaning SFWA… If Jason’s idea is true, then the SFWA has a problem.  By catering to smaller and smaller elements of their own preconceptions, they’re just throwing good money after bad. Like all of those horrid anti-war propaganda films from 2001 on, I’m sure it makes the producers and writers feel good, but who’s going to see it? For every five films like Syriana, they still couldn’t match the profit of 300, Iron Man, or Captain America.

As some of you may know, I escaped from a PhD program. Academia is rife with the sort of PC crap the SFWA is doing, but I haven’t noticed it in too many POPULAR books or movies. Sure, Hollywood cranks out this drek endlessly, but who watches it? 300 was a January release, and it made so much money, they started a sequel immediately (it only took forever to write and produce). So, certainly, people are teaching this stuff in the halls of academia, but when it comes to where the metal hits the road — where people spend their money — John Wick, DC, Marvel, and their ilk outperforms that sort of drek every single time. If The Dark Knight Rises had a feminist message beyond “Anne Hathaway looks good in leather,” I missed it (I actually thought the message was “Occupy Wall Street = Bad”). There is even a Kickstarter dedicated towards making these politically correct nightmares in print. “Women destroying science fiction,” is the actual title of one such stupid project.

This, of course, is a stupid idea for a book series, anthology, novel, what have you, if only because of actual SF written by women.  Let’s look at JD Robb, aka Nora Roberts — her In Death series is a fun science fiction murder mystery series set in the 2060s. How about Julie Cochran, coauthor to John Ringo? Or Jane Lindskold. Is Tamora Pierce or Naomi Novik hurting for cash because they’re women? I have yet to dodge JK Rowling because she’s a woman. Laurell K Hamilton was a okay writer for about 8 books, then it became smut, but at least it wasn’t feminista drivel.

Isn’t it nice to see that writers can be as petty as everyone else? Then again, I became a writer because I don’t like dealing with people as a rule.

My takeaway from all this? Write good books, and no one will care what gender you are. Honest.

I, for one, won’t even NOTICE what gender you are (You can’t imagine how long it took me to sort authors by gender, you really can’t).  If you write bad books, no one will read them, and the SFWA will just keep burning its cash, and its credibility — assuming that they have any left.

The Superversive in Tabletop RPGs: Why Is It So Rare?

There aren’t many tabletop RPGs, or supplements thereof, that are clearly or explicitly Superversive. However, many such games (and the official settings sold so eagerly for them) contain that potential. The publishers explicitly sell their games, and those settings, with a slant of “Be the good guys against the bad guys!” Yet it is increasingly rare for actual Superversive play to occur, something that’s been a known issue in gaming forums and sites for over 20 years.

Well, there IS an explanation. Dragon Award winner Brian Niemeier made a post his blog today regarding this sort of discussion as it applies to the Big Two of the American comics world, D.C. and Marvel. As those two big giants routinely miss the point, so do their fellow travelers in the tabletop gaming world. As I know first-hand that SJWs in comics, gaming, film, television, and SF/F publishing all network via the convention scene it’s not hard at all to see how this moral malaise spread to all of these cultural subsectors.

(Brian’s post contains the over-arching conversational thread, and I encourage you to read it before you come back here, because I’m explicitly building upon that thread as it relates to Superversive RPGs.)

There are two key observations to be had here. The first is by Jeffro Johnson (said here):

If you want people to employ traditional virtues in service of civilization, they first have to be able to imagine them. Heroism and romance were suppressed specifically to make it easier to destroy a people. The poindexters hold loyalty in contempt and sneer at sacrifice. They think goodness is for chumps. And they have held the reigns of culture for decades.

By the time that Dungeons & Dragons exploded into the mainstream around 1980 (there’s that timestamp again), this degree of cultural subversion had already occurred. If not for the brief turnaround in the zeitgeist by films like the original Star Wars through to the mid-’80s (e.g. Flash Gordon, Krull, Raiders of the Lost Ark) the degeneracy would have concluded well before the turn of the century. Instead, one last generation had the opportunity to have the Superversive shown to them in their early years.

In short, without examples of the Superversive to fire our imaginations, many of us will never even think to play that out in our fantasy adventures when we play tabletop RPGs no matter how well either the rules or the settling allow for it– and that, right there, is a major factor for why explicitly Superversive tabletop RPGs such as Pendragon remain niche games in a niche hobby.

Following that aforementioned thread, this observer nailed why the very publishers that comprise the thought-leaders in tabletop RPGs constantly undermine the Superversive potential of their own creations:

But they can’t imagine that. Reason number two is because of their self-imposed lifting of hypocrisy as the “ultimate” sin. It is better to not have a code at all than to have one and fail to live up to it. This is reflected in the method by which they try and tear down icons – hell, they even said it in Spider-Man 1 (Toby MacGuire), “the thing people like best is to see a hero fall.” (Paraphrased). They cannot fathom that the (a) the purpose of a code, even an unreachable one, is to set a goal for all people to strive to achieve, and (b) that you can’t live up to it all the time is because we are flawed, fallen, and human. However, (c) that doesn’t mean we shouldn’t stop trying.

I’ve seen this first-hand. They can’t conceive of it at all. The non-stop mockery of virtue, of the pursuit of a moral or ethical standard, and the misunderstanding (often willfully so) of what “hypocrisy” means all contribute to this subversion of the ostensible claim to “heroic adventure” (which they also misunderstand).

You see this in the long-form when the rules for games in strongly moral settings, such as Star Wars, keep getting watered down to allow for that demoralization to feed upon itself at the table. You see this in the creep of their Pink Slime amorality into their rules and settings, and the pushing of clearly subversive messages (i.e. yet more virtue-signalling) into every part of their business output- product and service alike.

While there are some people left in tabletop gaming who haven’t been fully converged, most long ago bent the knee and drank the demon’s blood- they are part of the cult, and they hate you. This is why the Superversive is rare in tabletop RPGs: they hate it. Don’t give them your money, or your children.

Just as readers closed their wallets and walked away from The Big Two in comics, and do so to the Big 5 in SF/F, this is necessary in tabletop gaming. Close the wallets, and walk away from Omelas- it’s YOUR child they forsake.

(And yes, this is much the case for videogames as well.)

A Day in the Life of Joe (Blue State Edition)

NOTE: “A Day in the Life of Joe Republican” is an essay meant to demonstrate the usefulness of Progressive policies and hypocrisy of conservatives who take advantage of them. A shortened version of the original and my “re-write” are presented below.

 

Joe gets up at 6 a.m. and fills his coffeepot with water to prepare his morning coffee.

Joe gets up at 6 a.m. to prepare his morning coffee. Then he remembers that he doesn’t have any real coffee. All the coffee beans are now Free Trade and Organic, so he can’t afford to buy them anymore. He measures out the instant coffee powder into his mug and fills it with water.

 

The water is clean and good because some tree-hugging liberal fought for minimum water-quality standards.

The water trickles very slowly into the mug because his kitchen is equipped with low-flow faucets, as per the new regulations. After a couple of minutes, the mug is full and he heats the coffee in the microwave.

 

With his first swallow of coffee, he takes his daily medication. His medications are safe to take because some stupid commie liberal fought to insure their safety and that they work as advertised.

With his first swallow of coffee, he takes his daily medication. It’s not as effective as the one he used to take, but FDA banned the medication that worked for him because it could cause miscarriages. Joe tried to explain to his doctor that he was not in danger of a miscarriage, but there was nothing to be done.

 

All but $10 of his medications are paid for by his employer’s medical plan because some liberal union workers fought their employers for paid medical insurance – now Joe gets it too.

The medication used to only have a $10 co-pay, but now Joe has to pay $50 because the union negotiated the new insurance plan that covers in-vitro fertilization for female employees, and the cost had to be made up by reducing pharmacy coverage.

 

He prepares his morning breakfast, bacon and eggs. Joe’s bacon is safe to eat because some girly-man liberal fought for laws to regulate the meat packing industry.


He prepares his morning breakfast, a bowl of organic oatmeal. He misses his eggs and bacon, but a carton of eggs is $10 at his local supermarket because the eggs came from free range chickens who only eat organic corn. Bacon is illegal in his town because it offends his Muslim neighbors.

 

In the morning shower, Joe reaches for his shampoo. His bottle is properly labeled with each ingredient and its amount in the total contents because some crybaby liberal fought for his right to know what he was putting on his body and how much it contained.

In the morning shower, Joe reaches for his shampoo. It doesn’t clean his hair very well, but it’s made of bio-degradable vegetable based ingredients that are safe for the local wildlife. He takes care to finish the shower after 2 minutes to comply with the city water restrictions.

Joe dresses, walks outside and takes a deep breath. The air he breathes is clean because some environmentalist wacko liberal fought for laws to stop industries from polluting our air.

Joe dresses, walks outside and takes a deep breath. He coughs from inhaling the car exhaust fumes. His street is now much more crowded with cars because one of the two lanes is reserved for bikes. It’s the middle of winter so no one is riding a bike, but the law still applies.

 

He walks to the subway station for his government-subsidized ride to work. It saves him considerable money in parking and transportation fees because some fancy-pants liberal fought for affordable public transportation, which gives everyone the opportunity to be a contributor.

He walks to the subway station and sticks the Metro Card into the slot. It’s rejected because the fair just went up again and he needs to re-charge the card more often. Luckily, he has plenty of time because the loudspeaker just said something about a delay, and judging by the crowd on the platform, he may not even get into the next train anyway. Joe had to give up his car last year because the new 35% parking tax at the garage. At least he doesn’t have to worry about gas prices going up. The thought energizes him enough to push his way through the crowd and make it inside the train just before the doors slide shut.

 

Joe begins his work day. He has a good job with excellent pay, medical benefits, retirement, paid holidays and vacation because some lazy liberal union members fought and died for these working standards. Joe’s employer pays these standards because Joe’s employer doesn’t want his employees to call the union.

Joe begins his work day. He’s an excellent worker, but only received a 2% increase last year because he reached the top of his pay grade and can now only get inflation adjustments. His usual partner has been on paid leave for the last week to take care of a sick pet. The union fought very hard for that concession, and Joe was happy when they won. Now he’s not very happy because he needs to cover the station on with a less experienced employee, but it’s worth it to have the union benefits for everyone.

 

Joe is home from work… He turns on a radio talk show. The radio host keeps saying that liberals are bad and conservatives are good. He doesn’t mention that the beloved Republicans have fought against every protection and benefit Joe enjoys throughout his day.

Joe is home from work. He turns on the evening news. The news anchor keeps saying that conservatives are bad and liberals are good. He doesn’t mention that the beloved Democrats have passed laws and regulations that caused many of the difficulties and sacrifices Joe faces throughout the day.

 

Joe agrees: “We don’t need those big-government liberals ruining our lives! After all, I’m a self-made man who believes everyone should take care of themselves, just like I have.”

Joe agrees: “It’s a good thing we don’t have those free-market conservatives in charge! After all, I’m just a regular man who believes the government should make everyone’s lives easier, just like they’ve done for me.”

 

MILO Witch Hunt Unmasks Legacy Publishers, Media

MILO

 

Media witch hunt

The recent witch hunt against Milo Yiannopoulos offered a valuable insight into how the legacy media, the political establishment, and New York publishers operate and what their real motives are.

The elites who run our government, press, and entertainment industries see themselves as better educated, better morally, and simply better than the people they seek to control.That’s why they’re unpersoning a gay Catholic of Jewish ancestry–because he poses a threat to their cultural dominance.

Look at the timing of their attacks. Three weeks ago, Leftist terrorists started riots over Milo’s planned speech at UC Berkeley. As a result, his upcoming book Dangerous climbed to the top of Amazon (which I can personally attest to, since a book on which Milo and I are credited as co-authors received a similar bump). Last week, he appeared with Bill Maher on HBO. Then came his (now cancelled) CPAC keynote speech announcement.

As independent author and journalist Mike Cernovich notes, Milo’s meteoric rise was on course to land him his own show on Fox News. The media and political elite that Milo has made a career of lambasting couldn’t allow that. In their panic to keep Milo from going mainstream, they got desperate.

Concern trolls are playing into the enemy’s hands.

Before we talk about what the media establishment’s dog-piling on Milo means for free expression, particularly on the part of non-Leftists who want to remain employed and enfranchised, let’s dispense with the blatantly ridiculous narrative that’s been deployed against him.

Here’s the video that was cherry-picked to falsely portray Milo as a pedophilia apologist. The conversation that the press mined for quotes occurs from 1:01:38 to 1:06:07 [Warning: NSFW language].

Law professor Glenn Reynolds examines a transcript of the video and delivers his informed opinion exonerating Milo (emphasis mine):

“It’s complicated” is usually the correct answer about questions concerning sex. But Milo’s actual position on pedophilia — he’s outed three pederasts in his reporting — doesn’t seem complicated at all.

Here is Milo’s own statement on the matter. The definitive quote:

I do not advocate for illegal behavior. I explicitly say on the tapes, in a section that was cut from the footage you have seen, that I think the current age of consent is “about right.” I do not believe any change in the the legal age of consent is justifiable or desirable.

Read the rest for some indispensable and devastating context. The short version: Milo himself was abused as a minor–in some instances by a priest. He continues to work through his childhood trauma using humor. His comments in the video weren’t intended to advocate for pedophilia–which he specifically denounced–or to belittle other victims.

Milo reiterates and expands on these points in his press conference from earlier this afternoon.

By spinning a pedophilia advocacy narrative against a victim of child sex abuse, the media establishment showed just how frightened they are.

The footage they’re using to crucify Milo has been publicly available for over a year. This isn’t a case of skeletons hidden in someone’s closet suddenly coming to light. It’s a brazen, coordinated attempt to de-platform a rival who’s proved spectacularly effective at competing for the public’s attention–specifically the vital college-age demographic.

In their attempt to destroy Milo, the legacy media resorted to pure Alinsky tactics. They targeted Milo personally and tried to polarize the Right into pro and anti-Milo camps by playing Conservatives’ own principles against them. Though support for Milo remains strong, more than a few people who are otherwise opposed to the social, political, and spiritual destruction wreaked by the mainstream media have been duped into helping them by letting themselves be led into the weeds of pointless semantic arguments and Pharisaism.

And if you think they won’t do it to you, it just means you’re not big enough yet.

The best argument for indie

Descending into the journalistic gutter to pull down Milo tipped the establishment’s hand. When they claim to champion the rights of gays, minorities, and immigrants; yet converge to destroy a homosexual Jew visiting the US from Europe, its obvious that all they care about is power.

They’re also projecting, as Milo’s former publisher Simon & Schuster demonstrate by continuing to publish admitted incestuous pedophile Lena Dunham. Aware of the glaring double standard, Salon tried to scrub all of the pro-pedophilia articles from their site. Unfortunately for them, the internet is forever.

What does all of this mean for non-Left wing writers, journalists, and public figures?

  1. Most of the government, media, and entertainment industry is corrupt. The elites who run the bureaucracies in Washington, Hollywood, and New York care only about maintaining their monopolies on power.
  2. Since their primary concern is maintaining their narrative, and because that narrative contradicts reality, the mainstream press cannot be trusted.
  3. Given that the legacy media is wholly invested in keeping its monopoly and will shamelessly lie to protect said monopoly, they will not think twice about turning their heavy artillery against anyone who dissents. This means YOU.
  4. Before indulging the urge to join the latest MSM witch hunt under the aegis of “keeping your side honest”, remember that the other side are proven liars who will distort or fabricate facts as convenient to push their narrative. Divide and conquer is their strategy. Don’t be a useful idiot.
  5. Legacy publishers are no longer a viable option for authors who are anywhere to the right of Mao. That goes double for the Big Five New York publishers. This is a blessing in disguise, since indie is almost always a smarter alternative to trad book publishing, anyway. The only exceptions I know of are Castalia House–who will be publishing my next book–and Baen.
  6. It doesn’t matter how lucrative or high-profile your brand is. The corrupt entertainment industry will gladly sacrifice anyone who deviates from the approved narrative. S&S forfeited at least $80 thousand of Milo’s advance, many times that in pre-order refunds, guaranteed spots on every major bestseller list, and millions in future sales. They knew this and still cancelled his book deal because power is more important to them than money.
  7. We need to wake up and realize that the industries and institutions that used to serve us have become not merely self-serving, but actively hostile to most people. You can’t depend on them. Stop helping them. Don’t give them one red cent of your dwindling, hard-earned wages. If you’re an author, use nontraditional publishing channels. If you have the means, build alternative platforms free of the thought police.
I don’t expect people over a certain age to understand the gravity of the situation. But for anyone who’s watched childhood promises of prosperity, an even playing field where success depends on merit, or even basic survival evaporate, trust your eyes. We are at war because war is being made on us. No one’s shooting yet, but our liberties and livelihoods are under attack by history’s most powerful cabal of lawless tyrants.
Worst of all, our forebears let the establishment have this unprecedented power over us. Our parents, professors, pastors, and politicians gave up the Western culture that was our inheritance without a fight. Mostly because they didn’t want to look “hypocritical” or “intolerant”.
Dislike Milo if you want. You’re entitled to your opinion, and I’m not here to police anyone’s thoughts.
But if you act on misinformed opinions by joining the establishment’s witch hunt against Milo–or any other outspoken critic of the mainstream media’s campaign to quash everyone’s right to free thought–you make yourself a willing pawn of billion dollar corporations who want to see you enslaved or dead.
You say you’re protecting our side from hypocrisy and moral turpitude? I say you’re just virtue-signaling. It doesn’t make sense to fret about the sniper who might be hiding in the hills when you’re surrounded by conspirators who are currently stabbing you to death.

Let’s get our priorities straight.

@BrianNiemeier