About A. M. Freeman

I am A. M. Freeman, aspiring author. I've been around for a little more then a decade and in that time have developed a deep love of books and wonder-filled stories. Although I've lived in the south all my life, I'm not a very much of a country girl. But I still love my horses and would choose an acre of woods over a city block any day. Along with my dancing and my four legged friends, writing is my passion; since it's the only way I know to get these characters that keep popping up out of my head, and I seem to have a bit of a knack for it. I write on my blog with things like stories, writing tips, updates about my own writing, poetry, and whatever things that pop into my head I decide to share. And someday I will have my novels of adventure and trial, and children books of wonder and exploration. So I hope you will pause to read a few of my humble rambles or stories, and who knows, maybe you'll find something you've been looking for.

Fans For The Dragon

I was there this year at the the second annual Dragon Award. It was not a very large crowd – partly, I believe, because both Jim Butcher and John Ringo were scheduled on panels at that same hour. I’m sure all their fans were at those panels instead, and maybe not even aware of the awards. Poor planning, but hopefully that will be corrected in the future.

However, it was a happy crowd of both fans and a handful of the nominees that were able to attend. We had wonderful presenters, including the late Jerry Pournelle. The winners were announced, with applause each time. There was no booing, nor no-awarding, and not a single wooden asterix in site. And while none of the people I knew personally won an award this year, there was no real sense of loss. For all those who won are excellent at their craft, entertain their large audience, and by the vote of the fans, were made winners.

The Dragon Award really is a fan award, straightforward and fun. Over 8,000 people voted this year, almost twice as much as last year! My hope is someday that number will double, then triple! And keep on growing, drawing in more fans, and sharing the fun of good, fan-loved, science fiction and fantasy! Til someday that auditorium is packed, and the teardrop of fire is seen as a great achievement, and gift from your fans.

I had a great time, and can’t wait to see what the next year brings. I have the list of the winners for the 2017 Dragon Award. But first, as is my custom as the official dancing girl of SVSF, I have another VICTORY DANCE!

Best Science Fiction Novel

Babylon’s Ashes, by James S.A. Corey

Best Fantasy Novel (Including Paranormal)

Monster Hunter Memoirs: Grunge, by Larry Correia and John Ringo

Best Young Adult / Middle-Grade Novel

The Hammer of Thor, by Rick Riordan

Best Military Science Fiction or Fantasy Novel

Iron Dragoons, by Richard Fox

Best Alternate History Novel

Fallout: The Hot War, by Harry Turtledove

Best Apocalyptic Novel

Walkaway, by Cory Doctorow

Best Horror Novel

The Changeling, by Victor LaValle

Best Comic Book

The Dresden Files: Dog Men, by Jim Butcher, Mark Powers, Diego Galindo

Best Graphic Novel

Jim Butcher’s The Dresden Files: Wild Card, by Jim Butcher, Carlos Gomez

Best Science Fiction or Fantasy TV Series

Stranger Things, by Netflix

Best Science Fiction or Fantasy Movie

Wonder Woman directed, by Patty Jenkins

Best Science Fiction or Fantasy PC / Console Game

The Legend of Zelda: Breath of the Wild, by Nintendo

Best Science Fiction or Fantasy Mobile Game

Pokemon GO, by Niantic

Best Science Fiction or Fantasy Board Game

Betrayal at House on the Hill: Widow’s Walk, by Avalon Hill

Best Science Fiction or Fantasy Miniatures / Collectible Card / Role-Playing Game

Magic the Gathering: Eldritch Moon, by Wizards of the Coast

Great winners, all. Can’t wait for next year!

The Whippersnappers Are Back!!

With the school year ending, and summer raising her warming head, the Whippersnappers are back at it again!

Join us this Sunday at 7pm EST as we discuss trends we’ve noticed in modern day fiction, some good, some bad. Listen in and join the discussion!

Caption This! week 12

Sometimes the healthy lifestyle is heard to keep up, but you still want to LOOK like you’re holding to your diet.

Mr. Stephen J. is on a role! With: “You done with the camera? ‘Cause I wanna go to McDonald’s.”

 

May the 4th be with you!! What is your yoda quote?

 

 

Caption This! week #11

While I was off consulting with timelords about to get them to fix my little title glitch, looks like Stephen J is our winner again!

 

 

Poor little kittens, they just wanted some yummy fish!

But now for someone who seems to be enjoying his day a little more.

3….2….1….. CAPTION!!

17 Again Pt 5: Liang and the Domestic Female’s Journey

I’ve noticed there has been a lot of talk on the blog about female characters, especially about the SFC. It’s just timely that this came up while I was writing these articles, because I was wanting to speak on this in regards to Liang.

See, some people push the unrealistic SFC, girl power stories, and ladies that “don’t need no man”; but I rarely find that way of doing them very appealing. In those stories, the girl either has no interest in domestic things or men, or worse, they totally stomp down on them. Because after all, womyn are SO much better than those pig-like men! But what about something I can relate to? Like being strong AND having a man?

17 Again was that story. The character is like most other girls, she wants a good life, a good home…. And a family. But she is held back, by herself as much as by Mao. Wanting to be a house wife is not a bad thing. Indeed, it is a very good and noble thing to strive for. Running a household and raising children is certainly not without its challenges. But I can agree with feminists and the like on one point, you shouldn’t be a mindless house wife with absolutely no life outside of your husband. Even the quiet house wife should have hobbies, something she enjoys or is passionate about. However, this is the rut we find Liang stuck in at the beginning of her journey.

The strong domestic woman is a very important force. I have more I’d like to say on her, but I shall save that for another post. For now, it is enough to say that a good society wouldn’t be able to hold together without them. To me, Liang’s Journey is in her going from a passive, clingy girl, to an intelligent and passionate woman. You’ve heard of the hero’s journey? Well, this is the domestic woman’s journey!

So what makes Liang change from a lame not-house wife, to an awesome woman and possibly real house wife? I think the biggest answer is she rediscovered her passion, and then worked for it. In some ways, she took on the actions of, “I don’t need no man” kinda girl. She kicked Mao away (although, admittedly, that was Little Liang’s doing) She went off and had her own fun and adventures, and she created a career for herself. She had dreams and passions, she perused them, and made them a reality. However, unlike the “don’t need no man” girls, Liang still wanted her man. But before she could have him, she had to learn to live without him. She had to learn to be strong in herself. Only then, could she have the relationship she always wanted.

See, good men don’t want a child for their wife. Some people make marriage out to be a man making all the decisions and dominating, while the woman stays quiet and goes along with whatever he says. That is askewed idea of marriage. Only bad men with control issues take advantage of their wives like that, and it is women without confidence in themselves, who have too many insecurities, that let them. But think about it. How much of a tiresome burden would it be to have a spouse that you have to do everything for? Who can’t make their own decision and opinions? Who has no ambition? Who sits around cleaning and making food while you do everything else?

That’s a maid, not a wife.

Men, good men, want someone to be on the same level as them. They want a partner, not a dependent. Because life is hard, a man wants a woman who can support him as much as he supports her. Now keep in mind, men and women are different, so the way they support and help each other will be different. But the point is, honest men don’t want a pretty-faced, mindless maid for a wife. They want a strong woman who inspires them, whose beauty shines from the inside out. One who will make a house into a home to come back to, and who will be there to catch them when  life is heavy. Someone who they can dream with, and make a life with.

Liang is not that woman when we first meet her. She got one part of it right; she’s there to take care of Mao and make a nice home. But she missed that part about having that deeper level of confidence and support. And because of that, her actions fall short, and somewhat superficial. The nice breakfast cannot be everything, there is something deeper that she is missing. And because of that, Mao has never bothered to marry her.

It’s not until Liang finds confidence in herself that Mao really starts to see her again. Gone is the drifting, shallow Liang. Now she is strong and confident in herself, she glows with the joy of her younger years. She has made herself a woman worthy of great attention and love. And because of this, Mao sees his short comings. He realizes that if he wants to keep this new Liang, he must change and become worthy of her. Because Liang has made herself great, she inspires Mao to make himself great as well.

At the beginning,  both of them are stuck in a rut, and have all but lost their love for each other. Love is  tricky, it’s something you must work to maintain. But by the end, once they both have grown, they are able to come back, stronger, and fight for each other and their love. Very pro-marriage. And I know, they weren’t technically married, but they seemed very much like a divorcing couple. But instead of giving up, they grow and learn, and eventually come back together. This is sooooo refreshing to see. I wish more movies and stories would give that same message of hope. That you shouldn’t give up on marriage just because it became boring or hard. That love is worth fighting for.

Because of that, 17 Again has a very superversive feel. But that is not the only reason. Liang is the focus of the story, the change in her relationship is provoked by her personal journey. And so it was her journey that left me with the greatest feeling of hope and inspiration at the end of the movie.

As someone who is still young and full of passion and dreams, but who also has a desperate desire to never let go of my inner child, I really connected with this movie. I wish to keep that joy and wonder at the world that a child has. I want to have passion to create and chase my dreams. I’m getting a taste of adulating and what real world life is like. With jobs, responsibilities, money, and bills, I’m discovering different kinds of stress and troubles that sometimes weigh heavy on me, and I don’t like it very much. But as long as I have my imagination to run wild, and my stories to get lost in, I can keep my younger self alive, and I’ll be alright. But….. If I ever lost that, if I ever stopped writing and imagining…. Well, the thought is truly terrifying.

And so the story of Liang finding her younger self, reconnecting with her passion, making herself better, and working for her dream, is very moving. She has adventures, learns from her mistakes, makes her dreams a reality, and gets her man back – even better than he was before! She became a stronger woman, but not a womyn. It’s hilarious, it’s refreshing, it’s inspiring, and it is superversive. Plus, there was chocolate! And in case you couldn’t tell from the FIVE articles and 5000 words I’ll spent on this thing, I really really loved it!

Hope you enjoyed my absurdly in-depth look into this movie! Time to go eat some chocolate.

Caption This! week #10

We’ve all been told bedtime snacks aren’t good for you….. But sometimes people don’t listen. Caption brought to you by: Josh Young

 

These kittens look like they just had a great fishing trip! I wonder what they are thinking…. comment your answer below!

(And this just goes to show, internet cats were a thing even before the internet.)

17 Again Pt 4: The One About Love

 I REALLY like the romance in this. And I say “romancE” not “romanceS” because I don’t consider the fling between Yan and Little Liang to be any more than that, a fling. However, I know it was very real to Little Yan, so I’ll take a moment to say my piece about it.

It was a teenager in love. Fast, intense, exciting, but ultimately shallow. They had nothing really that much in common, only their infatuation and thrill of adventure. They shared some tender moments, but nothing truly deep. However, it’s hard for young hearts to know the difference between twitterpated love and deeper love, and heartbreak is no less painful because of it. Their story is of first love, and first heartbreak. Very suiting for Little Liang and her wild ways.

Now….. Let us talk about the important one. Mao.

Even though Liang and Mao are not actually married, from the very beginning I couldn’t help but think of them as if they were. The way they lived together and interacted around each other, the fact that they’d been together for so long, and how they had grown stale in their routine; everything about them was like a married couple, except for the ring and the kids. But they were not only like a married couple, more importantly, they were like a married couple that no longer wanted to be together.

See, in my view marriage is a very important and sacred union. Something that should be valued and respected. Too many people today treat the status of husband and wife with the same weight of girlfriend and boyfriend. It’s so frustrating to see people take that vow, and then toss it away when they loss interest, or they get bored, or loving that person becomes hard. True love isn’t supposed to be easy. A good marriage takes work from both sides. And that’s what people have forgotten.

That’s why I love the romance between Liang and Mao so much. She didn’t immediately give up on someone she deeply loved and go running off with someone new. Instead, Liang and Mao both have to work, grow, and ultimately come back to each other. To me this is very touching, for it shows perseverance and true love.

I’d like to get further into the character arc of Mao, but first there’s one other character I need to put some light one. Mao’s cute work assistant. She is always fluttering at his arm, and it’s obvious she likes him. Although Mao never expresses direct interest from what we can see, there are times when it’s hinted they might be seeing each other a lot more than work requires. To me, she is just one other thing dragging Mao away from Liang. It’s a subtle threat, but one I’m sure Liang feels. Often one relationship can be broken up by the forming of another. I don’t know for sure if that is what was happening here, but it’s a possibility.

Another thing we eventually see, is the shift in Mao. As I’ve mentioned before, Mao has no confidence in Liang. But then he sees her at the opening of the gallery. He sees her younger self, the one full of spunk and sparkle. This must be the first time he has really ‘seen’ Liang in a long time. He sees the girl he fell in love with.

If you watch him during these scenes, you’ll find he is slow in moving closer to Liang. Walking around the gallery, you see him closely examining her paintings. At the beginning of Liang’s speech, Mao is standing right next to his assistant, who was no doubt his date there, and yet he has all his focus upon Liang. There is a moment when his doubt comes back, when Liang runs away from the stage. But then she comes back, with the confidence of her younger self and the grace of her older self, and Mao is again transfixed. He doesn’t take his eyes off her while she paints, and we even see a little smile from him. The pretty little assistant casts glances at him, but in that moment Mao only has eyes for Liang. This is perhaps one of my favorite scenes of the whole movie. Because in a way, we see both Mao and Liang rediscovering themselves, and each other.

Following this scene, is a car ride and a conversation between Mao and Liang. In which Mao, having begun to realize how special Liang is and how much he’s taken her for granted, apologizes to her. Liang smiles sweetly and says, “You don’t have to apologize. Actually, it’s not all your fault. I just don’t want to stand behind and wait for you to turn around anymore.” This leaves Mao somewhat forgiven, but also further away from Liang than ever.

One other point, that might seem a little out of place at first, is the confrontation between, Mao and Yan. When Liang had went off to ask Ning to inform Little Liang not to waste any more time on Yan – after she had talked to him at the biker party – Mao gets his own revenge. Mao must have found out about Yan, because he comes to confront him….. With a punch. The very small fight scene may seem random, but really it’s not. What it is showing is that Mao still cares about Liang, he is jealous, and he wants her back.

And now we come to the end of the movie.

First we see Yan, sitting on his motorcycle, alone, looking up at a billboard with Liang’s face on it. He stares at it a moment, puts his helmet back on, and drives away.

And then there is Mao.

Liang is enjoying time with Ning and her little family, including the cute twin babies. This makes it obvious thatquite a bit of time has passed, and from the billboards and the smile on her face, Liang is doing quite well for herself. Then Ning notices something on the new. A man is running through the streets naked, trying to win back his love, holding up a sign with her name on it. At that moment, Liang hears her name being called from outside. She runs to the window to see Mao, holding the sign, in nothing but his running shoes, fulfilling the promise he made to her over a decade ago. The movie ends with Ning asking, “Well, are you sure you don’t want to reconsider him?” Then Liang laughs, and smiles down at Mao.

It’s a little open ended, but I think it’s satisfying enough. Liang is able to make something of herself, plus I really like that Liang and Mao come back together in the end. To me, this seems very pro marriage. In that, instead of throwing away the 10 years with Mao to go off with some other guy, Mao and Liang rediscover each other and why they fell in love.

This is very touching. Too often marriage is treated with no more gravity than just regular dating – and that when the going gets tough or boring, it’s easier to break up and move on, regardless of vows. At least, that’s the way I see it in movies a lot of times. It was so refreshing and inspiring to see the bad boyfriend get redeemed! It’s not often you see that, but I loved it! It shows that love takes work, and to never give up.