This past Thursday, over at my main blog, I mentioned how I saw a trend in people making their own Star Wars riffs emphasizing the underworld and Mil-SF elements over the traditional Space Opera ones- and that I want to go the other way.
This led to follow-ups from Brian Niemeier (splicing in a similar thread by Alfred Genesson) and Jeffro Johnson and just about all of us figured that the Space Opera audience just isn’t getting enough Space Princes, Princesses, etc. (unless you go to Japan; they’re rarely lacking in such Romantic figures).
We cannot allow a Space Princess gap!
While we have the efforts of a handful of faithful inheritors of Burroughs and E.E. Smith out there, since 1980 at the latest (There’s that date again!) we have (outside of Star Wars) a distinct lacking of Space Princesses and the other key signifiers of the grand Romantic roots of Space Opera in Western media.
Why does this matter? Because you don’t reliably get Superversive without some Romantic elements; they’re roots for a reason. (Hark! I see you romance novelists over there! Shoo, you uncultured barbarians! These are not the ships you’re looking for!) Like it or not, the way a culture embraces the Superversive can be found in the Operatic mythologies it generates and passes on generation after generation- and we in the West are terrible about this outside of Star Wars.
If we are to regenerate our cultures, then we must embrace once more the heroism that our predecessors did and make it our own. Space Opera–made iconic by Princes & Princesses that are commonplace–is how we do this best now, something even superheroes don’t quite handle, and until we do we’re going to be at a disadvantage.
That means that there is an opportunity, for those bold enough to seize it. Go for it, folks. Take up that quest, and bring us the best Space Opera–laying on the myth and fantastic thick–that you can. Once the West had them in abundance. Now only Japan remembers them so. Make Space Opera Great Again! Bring back our Space Princesses!