The folks involved with the Noblebright boxed set Luminous kindly interviewed me in regards to my participation with the project.
Recently, I was involved with an anthology of Noblebright epic fantasy books called LUMINOUS. A superb bunch of authors collaborated on that project, and today one of them, L. Jagi Lamplighter, is visiting the site for a chat about the Noblebright genre, her book, and other stuff. Speaking of other stuff, before we dive into the interview with LJ, I need to mention that the LUMINOUS project is running a fantastic giveaway. You can win a Lord of the Rings “Not All Who Wander Are Lost” tote bag, a Harry Potter “I Solemnly Swear I’m Up To No Good” journal (perfect for any of my three rascally sons), and some other author stuff. Be sure to check out the end of this post for those details. Anyway, without further ado, let’s chat about Noblebright and fantasy and other things with LJ.
LJ, thanks for stopping by. We obviously want to talk a lot about Noblebright, as that’s becoming quite the burgeoning genre these days, so, first off, what does that term mean to you?
I am a founding member of the Superversive Literary Movement. If subversive is change by undermining from below, then Superversive is change by inspiring from above. I see Noblebright as a companion idea to Superversive stories. Both movements stress heroes, fair play, nobility, bravery, and moral virtue. They offer a tiny spark of light in the darkness, against the overwhelming dark and violent landscape that is today’s popular entertainment.
You’re right on the prevalence of dark entertainment. Entertainment, culture and society in general! We need an antidote. How do you portray the Noblebright ideals in your work in general and the Luminous selection in particular?
Some years ago, my husband (Author John C. Wright) pointed out that many modern books and TV shows have demons, but almost none of them mention angels and Heaven. (He did not count “angels” who claimed to be on the side of “God” but basically acted like demons.) They explore darkness but contain very little light. I try to write stories that have moments of brightness as well as darker moments, where wonder and awe bring joy as well as sorrow. This is one of the reason that I so enjoy writing the Books of Unexpected Enlightenment. Dark things happen in these stories, but there are also moments of grace and pure joy—moments that lift the reader out of the ordinary, reminding them that there is something greater—something far better—that occasionally reaches down and touches us transforming our lives.
I don’t know if you’ve finished reading the entire Luminous collection, but do you have a favorite book among them?
I have not read all ten yet, but my favourite so far is Wolfskin. I like the spunk of the girl who wants to be a pirate but who settles for being the apprentice of a witch. I like the subtle way in which the magic works, so that the forest seems to live and pulse around her. The story includes a charming romance, but because of the initial age of the girl , the story is not just a romance but also includes a solid mix of adventure and intrigue. I felt the characters were well drawn, and the magic system was very interesting. The girl had a good heart, which is what leads to her triumph. I really enjoyed the book.
You’ve written quite a few books, among them your Prospero’s Children trilogy based on Shakespeare’s Tempest, as well as the Unexpected Enlightenmenttrilogy. When you’re writing (and reading–though, I suppose there’s quite an overlap between the two perspectives), what’s your favorite sort of character?
I would say that this question depends on whether you mean favourite protagonists or favourite characters in general. For protagonists, I like intelligent and courageous characters who use their wits to solve knotty problems. I love spirited female protagonists, but I am not a fan of fighting women who basically act like pretty men. I want the girl to solve problems the way a real girl could. My heroines tend to have magic and to be able to do things normal people cannot, but it is usually their intelligence, their cleverness, and their willingness to speak to and occasionally trust people others avoid—rather than their power—that saves the day. My main character in the Books of Unexpected Enlightenment, Rachel Griffin, the thirteen-year-old daughter of an English duke, has a perfect memory. This means that she never forgets any clues. This, combined with her courage and fortitude, makes her a character who is a delight to write. I am also a fan of dark, majestic, impressive male characters. Picture Spock, Dr. Doom, Aragorn (book version, not movie), or Snape (movie version, not book.). I love this kind of character—particularly when they are menacing but noble. I try to make sure that the male characters in my stories actually speak and act like men, which is surprisingly rare in YA literature.