[easyazon_image add_to_cart=”default” align=”left” asin=”1480086886″ cloaking=”default” height=”160″ localization=”default” locale=”US” nofollow=”default” new_window=”default” src=”https://images-na.ssl-images-amazon.com/images/I/51GUyxqYaLL._SL160_.jpg” tag=”superversivesf-20″ width=”107″]Amy Lynn[/easyazon_image]A lot of Amy Lynn feels like a coming of age story, where we watch Amy Lynn go from 12 to 20 over the course of the novel. Along the way, almost every other character is fleshed out with their own backstories, usually with snippets and inserts that look like they were lifted out of newspaper clippings — though they don’t interrupt the narrative flow.
When the book opens, Amy is practically running the family farm single-handedly — running both the kitchen and chores on the farm. Yes, she’s very much 12 going on 40. Before the book even opens, she has already lost both her older bother and her mother. Usually, this would make set the tone for a depressing, maudlin journey that I’d rather have root canal than read. However, Amy Lynn manages to avoid ever falling into that trap, and dodges the usual cliches. That the book avoids a depression-inducing tone is a cute trick, considering that it covers rape, prostitution, sex slavery, drug use, and two counts of mass murder. Not bad for a coming of age novel, huh? It helps that a lot of this is off-screen, and never delved into with any of the gruesome details.
But, then again, anyone who can write a coming of age novel that I can read without making me desire to take a power tool to my brain already has my support.
In almost any other context, Amy might come off as a bit of a Mary Sue — almost totally perfect in every way. Thankfully, she’s not that perfect (after all, she is a teenager for most of the book). As for the rest of her skill sets, she has a perfectly good reason for it. For anyone who ever saw the original tv show The Avengers (with no relation to Marvel comics), imagine Amy Lynn as the creation of a Southern Emma Peel. Amy is essentially trained by Rambo, and the fight scenes are reminiscent of Lee Child’s Jack Reacher novels.
Amy Lynn has one problem. Well, it has two. The first problem is editing. I know that Jack July had Amy Lynn edited by professionals. I would ask for a partial refund, since there are a lot of strange punctuation errors and capitalization issues here and there. I’ll blame that on the professionals. The second problem? It’s too short.
At the end of the day, Amy Lynn is as promised: thoroughly charming. It’s very much To Kill a Mockingbird for a modern audience.
It’s definitely a book for anyone who enjoys characters with deep and abiding faith. It’s a book recommended for adults … and for adults to read before giving it to their kids. Like with much YA fiction, there is dark content and R-rated language. It’s a great book, but it depends on the audience.