Drown the Cat is a complete guide for the fiction writer who wants to develop an individual voice and understand the reasons underlying the so-called rules of writing. Although a few rules really are necessary, the vast majority are either dogma or passing fads. Worse, so much advice like “show don’t tell” and “open with action” is often poorly explained and entirely misunderstood, causing writers no end of problems.
Drawing on fifteen years of writing, critiquing, editing and mentoring experience, Dario Ciriello explodes writing myths, shreds conventional wisdom, and dissects the often misleading advice and diktats shouted at writers by books and blogs, agents and publishers. Drown the Cat gives authors the necessary tools and insights to retake control of their story and make it unique.
Whether your interest lies in novels or screenwriting, Drown the Cat shows you how to tell your story in your voice and place it before your audience, eschewing formulas and cookie-cutter fiction to remain true to your own, exceptional vision while adhering to the few rules that actually matter. Because writing isn’t about prose wonks and industry insiders: it’s about the reader, and most of all it’s about telling a story. Your story.
Drown The Cat hits the points that every new writer should learn in their journey, most importantly encouraging writers to be themselves. It’s very easy to read, and well organized and formatted. There are some standard writing points in there, but this encourages you to stretch your mind more than follow everyone else in the field. You can read some of Dario’s thoughts over on the Hugo-nominated Castalia House blog.
If you don’t know who Dario Ciriello is, it’s a shame. He is one of the best editors in science fiction and fantasy, and very few have heard of him. If you can hire him, do it, you won’t regret it. He’s edited Doug Sharp’s Channel Zilch, which is one of the most unique and innovative science fiction works of our time, as well as Bonnie Randall’s Divinity and the Python, of which is a great work of horror/romance fiction every writer could and should read as a study in how to write characters readers connect with. He’s got his own fiction as well, of which I equally hail. Bottom line is, if you want to improve your fiction fast as a new writer, you should listen to his writing advice.