This might be the new tagline for John C. Wright’s Hugo nominates story “An Unimgainable Light”. From Nerds of a Feather:
An Unimaginable Light: Imagine a thought experiment dealing with the nature of being human by playing with the nature of robots and mix in some casual sexism and some standard right wing talking points. Then, imagine the story is even more didactic and poorly written than it sounds and you have the beginning of what John C. Wright’s awful “An Unimaginable Light” is. The reality is so much worse. Rich Horton notes that much of the context for the story is tied to Wright’s collection God, Robot and perhaps it would read very differently in that context, but coming into the story as a discrete piece of fiction I can only say that it is bad. It is not worthy of being considered for the Hugo Award.
Seriously, when will people understand that the story is literally an argument *against* casual objectification of women? It’s not even subtle. The person who “casually objectifies” women is literally nicknamed “Skinner”. Because he flays people. He’s not the guy we’re supposed to be rooting for.
As for “Standard right wing talking points”…here are the other Hugo stories. This is taken from books.zennaro.net. All emphasis mine:
A Fist of Permutations in the Lightning and Wildflowers by Alyssa Wong
Hannah and Melanie are two sisters, with the ability to bend time and reality. Unfortunately there are limits of what they can achieve, and when one succumbs to self hate, suicide, family transphobia, and hate crime, the other traps herself in a never ending loop of alternative realities, fueled by her sense of guilt, desperately trying to change an unchangeable past.
Seasons of Glass and Iron by Amal El-Mohtar
This is the story of Tabitha, and Amira. Their stories, and their roles are the archetypal stories and roles of women in fairy tales. The same fairy tales that we still read to our children, often without realizing how misogynistic they are. One day, as Tabitha walks around the world to repent for having revealed to her mother she was a victim of abuse, she meets Amira. Their encounter will deeply change their lives, their way of thinking, and of living.
Our Talons Can Crush Galaxies by Brooke Bolander
A very interesting, and very fine example of message fiction, focusing on women rights, and rape. Given the brevity of the story, it is hard to say anything about it, without spoiling it. I would just say that it is a great piece from a Hugo / Nebula / Sturgeon / Locus finalist writer.
The City Born Great by N. K. Jemisin
All the great metropolis on Earth, when they get big enough, and old enough, they must be born. Now it’s the turn of New York, and a homeless queer black man find himself tasked with the role of facilitate this birth [sic]. But nothing it easy: there are mysterious enemies that want to prevent this from happening. Thus New York will live or die by the efforts his reluctant midwife.
I found the short story interesting, in particular the way it touches some very actual themes like xenophobia, and homelessness. The story is not as good as Jemisin’s previous work.
(Carrie Vaughn’s story seems pretty neutral ideologically, for what that’s worth.)
But, sure, the issue here is that there are “standard right wing talking points” in John’s story. THAT’S what we should be concerned about!
Mostly I notice that this Hugo Award year, at least in the short story category, is divided on deeply ideological lines – there is no question that John’s story is very definitely on the conservative side of the ideological divide. But they’re not even trying to hide it anymore; message fiction is being acknowledged and stories are being praised specifically for the ideologies they happen to be pushing.
If you want to see something from someone who *actually* seems to be neutral, here are some good reviews from Reddit, of all places:
The gist of his notes on John’s story:
It’s an interesting thought experiment and is more metaphysical and philosophical than science fiction in feel.
I really enjoyed this story, though it is up to you to decide if the $5 purchase price is worth it to read this Hugo nominee.
See, this reviewer seemed to like other stories more, including stories I’d probably dislike myself. And, hey, that’s fine; at least his judgments don’t seem to be based on “Is my preferred political viewpoint being expressed?”
Because that seems to be the theme of this year’s Hugo Awards. How depressing.