This witty re-imaging of Star Wars by author Monalisa Morgan Foster was inspired by Dawn Witzke’s recent post on Strong Female Characters.
The first Star Wars movie (now called “A New Hope”) opens with a poor farm boy who wants to be a pilot. Luke embarks on what’s known as “the hero’s journey” complete with an initial refusal of “the call” to be a hero, and a mentor. Classic stuff. I’m a fan of the original version.
In terms of plot, we start out with the protagonist reacting to things. Then as the story moves along, the protagonist is no longer just reacting, but calling some of the shots, even if he’s not in charge. This is standard plot-structure stuff. For Luke this midpoint change occurs aboard the Death Star where he appeals to Han Solo’s enlightened self-interest with the promise of a reward.
What does this have to do with double standards?
I’m so glad you asked. I’m going to tweak all the so-called feminists out there who demand that our stories be told through an exclusive “feminist” filter. Why? Because, frankly, I’m sick and tired of their attempts to redefine what makes a strong female character (SFC).
Let’s hop to the end of the prequels and have Ben deliver Leia to her family on Tatooine instead. She grows up on the farm. Let’s give her the same skill set.
Leia is a poor farm girl who wants to be a pilot. But she can’t. Because the oppressive patriarchy, via her uncle, won’t allow it. She’s practically a slave. She has to do chores and she’s not allowed to go out and have any fun. How will she grow to her full potential with such unfairness around her? She has no agency. She’s a weak character because she doesn’t cast off the chains of patriarchy. She’s weak because she doesn’t run away and chooses to stay in such an oppressive environment. So what if the family took her in and raised her? That wasn’t out of love. Obviously it was for the free labor she’s expected to provide.
The uncle bosses her around. She doesn’t get fair wages, or any wages at all. In fact, sometimes she seems like a prisoner as she’s told she can’t leave the homestead until her chores are done. It’s so sexist on Tattooine. The aunt is always cooking. She doesn’t work outside the home. At least she did’t bother to have any kids. Phew! Not barefoot and not pregnant. Go, Beru, go.