Ed Willet has an interesting post up on the outcomes of the recent Hugo nominations and I think he speaks a lot of sense. It is well worth the read.
The nominees for this year’s Hugo Awards have been announced, and I’m thrilled to see that my editor at DAW Books, Sheila Gilbert, is once again nominee for Best Editor, Long Form. This is Sheila’s third time on the ballot, and here’s hoping this is the year she goes home with the rocketship.
That said, I’ve decided I’d throw in my tuppence-worth of thought on the Big Hugo Controversy of 2015. Many pixels have been spilt and much bandwidth sacrificed to discussions all over the Web, but it’s entirely possible you, gentle reader, are among the few who know nothing of this. Let’s see if I can sum it up while being fair to both sides.
This year, SF writer Brad Torgersen mounted a campaign called Sad Puppies 3 to solicit suggestions of people who fans thought ought to be on the Hugo ballet but might be overlooked without greater attention being drawn to them. From those suggestions, and in consultation with like-minded colleagues, he presented a slate of possible nominees (including my editor, Sheila Gilbert). He and the others promoting the slate–bestselling SF/fantasy author Larry Correia and SF/fantasy author Sarah A. Hoyt, among others–urged people to give the list serious consideration, to read the suggested works, and then, most importantly, to buy supporting memberships to this year’s WorldCon in Spokane and nominate and, later, vote.
The view of the Sad Puppies is that awards have tended to go to recent years to certain works primarily because those works carry an approved political message (specifically a left-wing political message), or because their creators are outspoken online advocates of approved political messages, rather than because those works are necessarily particularly well-written or entertaining science fiction or fantasy.
In contrast, the Sad Puppies slate includes authors of varied political persuasions, some right-wing, some left-wing, some unknown: the goal is not to promote a political agenda but rather to ensure that political agendas do not become the central feature of the Hugo Award nominees.
The Sad Puppies campaign was a remarkable success, with the majority of the nominees either being on the Sad Puppies slate or another one run by controversial but influential (his website generates enormous traffic) writer/editor Vox Day, who called his similar-but-not-identical slate Rabid Puppies (and whose motivations may be somewhat different).
– See more at: http://edwardwillett.com/2015/04/thoughts-on-the-hugo-awards/#sthash.QAIpo7IU.dpuf