Brand vs. Platform

Legacy publishers now consider an author’s platform to be the single most important criterion for deciding whether or not to offer a book contract. “Platform” is of course one of those nebulous terms that’s mostly used to inflate the speaker’s perceived importance, like “statistically significant” or “equality”.

Jane Friedman at least attempts a definition and settles on, “the proven ability to reach a target audience with visibility and authority”. But this slippery term evades even her canny grasp, as she writes that a platform isn’t about social media or blogging; then advises authors to build their platforms by being active on social media and blogging.

It’s no surprise that legacy publishers have latched onto platform as their prime metric of author success. After all, the steep decline in adult sci-fi and fantasy has happened on their watch. Despite its chameleon nature, platform essentially boils down to a system of communications channels. That the self-styled custodians of literature now value the medium over the content provides a handy diagnosis of the industry’s ills.

The publishing establishment’s myopic obsession with platform smacks of ideology and the quest for prestige; not sound business sense. Forbes offers convincing proof of this assessment. To many hardworking writers’ dismay, the best way to land a book deal is to already be famous (a clear example of platform over content at work). But look at how often celebrities whose name recognition even best selling authors would kill for release books that tank.

If platform is a flawed predictor of author success, what’s a better alternative? David Vinjamuri provides a compelling answer in the same Forbes article: brand. “Brand loyalty is important,” he says, “because it has a direct impact on profitability.”

What’s “brand”? According to Joe Konrath, branding is associating name recognition with positive experience. Though he wields a formidable platform, he places it at the service of his brand.

The Codex Group backs up Vinjamuri’s claims with data showing that readers will pay 66% more for books by their favorite authors compared to unknown quantities. Maintaining a successful career as an author requires building a loyal reader base who will show up each time you release a book. Having a big megaphone won’t help if you keep writing books no one wants to read.

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About Brian Niemeier

Brian Niemeier is a John W. Campbell Award for Best New Writer finalist. His second book, Souldancer, won the first ever Dragon Award for Best Horror Novel. He chose to pursue a writing career despite formal training in history and theology. His journey toward publication began at the behest of his long-suffering gaming group, who tactfully pointed out that he seemed to enjoy telling stories more than planning and adjudicating games.