Brad Torgersen has kicked off Sad Puppies 3, the what now appears to be annual, attempt to stir those decidedly unsuperversive members of he science fiction community by getting books they would never approve of on ideological grounds on the voting ballot.
As an exercise in making their heads explode, I heartily approve! I was blown away by the comments as more than a few people suggested nominating me for short form science fiction editor and nominating the first story I ever bought for Sci Phi Journal, [easyazon_link asin=”B00NYWSP7Q” locale=”US” new_window=”default” nofollow=”default” tag=”superversivesf-20″ add_to_cart=”default” cloaking=”default” localization=”default” popups=”default”]Domo[/easyazon_link] as a short story entry.
I will let Brad explain
The Hugo awards window (for 2015’s nominations) will be open soon. As one of Baen’s newest authors, I wanted to be be the first guy out of the gate with SAD PUPPIES 3. For those of you who don’t know what SAD PUPPIES is, it’s a (somewhat tongue in cheek) running effort to get stories, books, and people onto the Hugo ballot, who are entirely deserving, but who don’t usually get on the ballot. Largely because of the nomination and voting tendencies of World Science Fiction Convention, with its “fandom” community. In the last decade we’ve seen Hugo voting skew more and more toward literary (as opposed to entertainment) works. Some of these literary pieces barely have any science fictional or fantastic content in them. Likewise, we’ve seen the Hugo voting skew ideological, as Worldcon and fandom alike have tended to use the Hugos as an affirmative action award: giving Hugos because a writer or artist is (insert underrepresented minority or victim group here) or because a given work features (insert underrepresented minority or victim group here) characters.
Likewise, the Hugos tend to be a raw popularity contest, for all definitions of “popular” that include “Trending with Worldcon.” Which may or may not have anything whatsoever to do with actual sales success on the open market. And that was Correia’s original point: if the Hugos really are the preeminent award in SF/F how come the Hugos so often ignore works and people who are, in fact, successful ambassadors of the genre to the consumer world at large? What the heck is going on here?
So, SAD PUPPIES has tended to push back. Against the Worldcon fandom zeitgeist.