Snowpiercer is the most political film of the year. And likely to be one of the most misunderstood.
Snowpiercer is also very weird, which you’d probably expect from a South Korean sci-fi post-apocalyptic action film based on a French graphic novel that stars Chris Evans (Captain America) and Tilda Swinton (The Chronicles of Narnia).
The basic plot of the movie is that in 2014, an experiment to counteract global warming (which is based on a real plan) causes an ice age that kills nearly all life on Earth. The only survivors are the inhabitants of the Snowpiercer, a massive super-luxury train, powered by a perpetual-motion engine, that travels on a globe-spanning track. A class system is installed, with the elites inhabiting the front of the train and the poor inhabiting the tail.
When I say this is a “political” film I mean it in the Platonic sense of an ideal polis based on the best form of government that leads to the common good. Snowpiercer is an extended political fable about the polis, albeit one that includes scenes of hatchet fights between people carrying torches and people wearing night-vision goggles.
Last week, Snowpiercer was released in eight theaters in selected cities and on video-on-demand. Because of the rave critical reviews (it’s currently at 95% approval on Rotten Tomatoes), it’ll like be going into wider release.
If you haven’t seen it yet, lower your expectations. While visually interesting and, at times, thought-provoking, it doesn’t live up to the hype (director Bong Joon-ho’s 2006 monster flick The Host was similarly over-praised).You should also be forewarned that it’s rated R for violence, language, and drug content.
If you have seen it and still wondering what exactly it was about, read on.